lars niekisch is most well-known for his berlin partnership with frank hermann as trick and kubic. since 2005 they have carved out vintage releases on labels such as get physical and great stuff. voyager is lars first solo release, acidic, ravey and thoroughly deep down and dirty, it has smashed many a main room in recent weeks. voyager has already been licensed to a forthcoming hernan cattaneo mix compilation, and the single also features the debut remix from long term buzzin fly resident dj, chris woodward. the track has received great feedback from a-list club djs including john digweed, solomon, cattaneo and the dirt crew. this is the latest single from ben watts respected imprint, buzzin fly. collectors artwork on the 12inch.

so give us a pat on the back: five years and still alive - maybe was a rule once, but not any more. the idea always was to leave our mark: this is our credo. and thus it is also continued in 2009 cheerfully. the first congratulations on the first part of the compilation series on the 5-year-old existence of the label comes from sweet n candy, with his first track on lebensfreude since his legendary multiplex ep. in addition best of hamburg - sven wegner, also since the day of birth in the house of lebensfreude. besides, label boss gunne in cooperation with spainsh hd substance. modern techno with an oldschool atmosphere. also there s a hope into the future: mariano dc from buenos aires allows to perk up our ears with his evidence of how a bassdrum is screwed in argentine main town

nice price deal !!! the shuttle sound is boundless, genreless, and fresh. one of ninja tunes hottest new signings of 2009. shuttle has an extensive remix history, under the name etan, with credits including the death set, daedelus, the little ones, mikachu and more. there is a massive blog hype already building and spreading fast, plus the track is going down a storm with djs like sinden and diplo, who are both fans. the b side rotten guts features killer vocals from cadence weapon, and the package is rounded out with a remix courtesy of brightons high rankin, which is like sheer heavy mental wonkiness and grime reworked with spandex. shuttle has played alongside devlin (spank rock), yelle, the field, gui boratto, crystal castles, diplo, dj sega, and classixx.

28 tracks state-of-the-art remastered! original 7 and extendend deejay cuts by dennis brown, gregory isaacs, freddie mcgregor, michael rose, junior byles, delroy wilson, sugar minott, leroy smart, a.o. - the next essential chapter in the reggae anthology quality series!

dje lean aka confetti bomb has worked for a very well respected london record store for 9 years. hes also been a dj & live performer since the mid - nineties and has put these combined experiences into creating a unique form of stripped down, deep techno. his fever ep for london label underl_ne was featured on the uks bbc radio one and received extensive dj support at the highest level. he also features in the juno records 10th anniversary remix series with a peak time re work of carl craigs detroit experiment classic think twice. his debut ep for autoreply features an appearance from one of his favourite producers jerome sydenham who takes time out from his hectic dj schedule & ibadan label duties to provide us with a truly timeless mix of 10 second detox. with its persistent rolling percussion & warm deep pads the mix satisfies all senses. a short interlude follows this in the form of 5 second detox - created using an atari st & beat up yamaha sampler. this is the perfect tool to start or end your set with or to add your own beats to. the choice is yours. on the aa side we have 20 second detox - big sounding hooky techno featuring crisp percussion & analog synths incorporating long warm beatless periods with bursts of pounding drums. this track teases you until the mid section where it goes off all guns blazing. finaly detox is a lofi housy workout which has been described to us as troy pierce meets inner city...sounds interesting huh? drop the needle on it & make up your own mind.

along with number 60 in the highgrade catalogue there‘s a new producer team, joining the highgrade posse: markus schatz who scored so far with releases together with tom clark for highgrade and by himself on labels like opossum and freizeitglauben. he worked out this release with brett longman from paris, known from one of france‘s most prolific labels logistic rec. with „dope on plastic“ both start a dub and percussion rollercoaster- ride: the stripped down structure in the beginning unfolds seamlessly to a wildly grooving dub-inferno. similarly funky „push it“ continues this direction: dodgy fm-sounds meet weird synth bleeps plus a whole load of rhythm - the trackname is to be taken literally here! on the flip-side schatz & longman in „running“ are adding some fine dubby ingredients to there rhythm patterns, next exit detroit, one might say. moody without being cheesy, that‘s how we like it. „good vibes“ is zigzagging elegantly, with deep pulsating melodies worked together with an uplifting groove to a fast-paced and atmospheric track.

one of technos most diverse and prolific producers ‘mark broomis back again to demonstrate the definition of dub techno. this is a purist record through and through that unashamedly harks back to the classic chain reaction and basic channel sound, something that the world and its djs crave endlessly, and rightly so. all four cuts sail forth in calm warmth and steady bass, massive reverbs and echo are worked intermittently lifting everything upwards like a strong cosy breeze. the listener is forcibly bounced up and down in a gentle fashion, (we would expect nothing less than gentlemanly behaviour from broomer) and through proper application of decibels a full cellular body massage can result. this is essential dub for the techno journeyman out there. not only great to listen to, but also a helping hand with your exfoliation routine.

+ afrilounge rmx !! romania seems to be the latest hotbed of new talent when it comes to dance music and ali nasser is definitely one of the countrys best kept secrets. we were lucky enough to snap him up for supernature last year and here he presents us

+ afrilounge rmx !! romania seems to be the latest hotbed of new talent when it comes to dance music and ali nasser is definitely one of the countrys best kept secrets. we were lucky enough to snap him up for supernature last year and here he presents us

debuting with >i believe< on the monumental (10 records) compilation >techno 2: the next generation< (alongside carl craig, marc kinchen, and jay denham) in 1990. octave one is the brainchild of the phenomenal native sons of detroit, mi (usa), the burden brothers. the band, (made up of lenny burden and lawrence burden), have had the privilege of touring live and djing throughout the world, including the countries of germany, spain, greece, belgium, vienna, the netherlands, the uk, ireland, scotland, malaysia, japan, the us, and russia, among many other places. throughout their careers they have worked with such artists as derrick may, underground resistance, juan atkins, anthony shake shakir, among others. they have remixed tracks for such artists as massive attack, akabu (joey negro), dj rolando (jaguar), steve bug, john thomas, the trampps, rhythim is rhythim, and inner city. two years of live touring and three years of recording come together for the brothers latest musical offering. reaching back and rejuvenating their pure electronic detroit sound, o1 produce a dance floor heavy techno journey. >summers on jupiter< showcases the burdens signature rough and tumble production style. several tracks are already gracing the decks of the likes of jeff mills, laurent garnier, carl craig, richie hawtin, and claude young among many others. to celebrate their first studio album in four years, octave one take the electronic beat down on the road through 2009.

part 1 is a murky, cinematic epic. a heads down, hands in the air anthem which has crowds saluting the speakers and has already pricked the ears of some of the industrys key players, inc nick warren, pete tong, nic fanciulli, erick morillo, carl cox, m.a.n.d.y tomas himself finishes off this package with a fine dub that has only added to the outstanding club support. 5 plays on pete tongs essential mix & tipped for massive things by tong himself

2001 classic!! jackin chicago tech tracks!

maverick us producer gunjack aka brian gibbs delivers an absolute crossover bomb. with early support by rag and bone crew, scorn, surgeon, stormfield and many other heavyweights in both the techno and dubstep worlds. >murda< is a giant dubstep/ hardcore/ techno hybrid cut deep at 45 rpm for that chest rattling quality. the sample, taken from ini kamoze >world a reggae< (out in the street they call it murda), makes this hard, freaky ride into total mayhem. >bruckshut s revenge< mick harris aka scorn had the following to say about this tune , >hat s off to gunjack! solid! a killer. really ****ing punk and proper! the way it should be done.< this tune has a deep droning intro leading us to a new twist on the techno/dub hybrid sound. this is the sound of consume. >down the ox< continues this hard lesson in hybrid dynamics! more off beat techno than dubstep.

inspired to bring back to life the spirit of their teen and death metal heroes, koljah & oliver deutschmann deliver the 4th konsequenz vinyl slowly we rot . as in their previous releases on vidab and konsequenz, house music is the major player here, presented in 5 different interpretations, for alternate stages of the night. eaten back to life starts the journey with deep vocals, percussions, and hooky horns. picked by sebo k as his personal weekend weapon, the track keeps diving in deeper and deeper until it sucks you in and takes you over. ed davenport s stripped remix, as in its title, is a stripped down power house, that compliments, and in a way completes the original. davenport s shutterdrop remix will be available as a digital bonus. altars of madness on the flip is a harder, more upfront evolution of the a side. techy loops and deep synths support the lead that will stay with you hours after leaving the club. the re edit is a more crisp sharp tech house track, rounding off a record that represents konsequenz right and proud. up next on the label look over feel from mojoe with remixes from daniel stefanik and marlow.

franco cangelli is back on mowar with deep and spacy techno grooves. >locked on< goes in a stripped down techno alley with basic square grooves layered with a drifting sawtooth bass sound that gradually shows its teeth and gets you down there... estroe turns this groover into a deep workout, soul music for emotional cyborgs, with strings creating a melancholic detroitish feel. >create your own space< is a techno soul track where stabbing chords and lullaby pads make sweet love to square bass melodies and off-beat rhythms. it s a deep groover in the strictest sense. glasgow s solab from seventh sign give the track a more uplifting feel retaining the original s deepness but adding an element of raw dancefloor friendliness. mowar stands for quality deep techno and this third release delivers you just that

the journey into bass continues as bass frequency productions releases electro endeavours volume 2. get your (b)ass up!

the soul clap boys from boston who come up with the next airdrop outing, outdoing themselves every single time. it’s becoming increasingly hard to hammer them down to a certain sound or aesthetic as their thirst for innovation is just unquenchable! >puppy crack< is a potent dance drug and should immediately be banned to avoid further brain damage. dripping into your drainage like some highly potent acid, the track breaks down into the wonkiest mayhem that clubbers ears have heard in a long time!for those who like it darker, the ragged >beat the puppy< tool is the one! not beating around the bush but rather beating the poor squelching animal, the track rages subliminally, gripping tight around the neck with a metallic beat that should have any old party dog wagging its tail rhythmically while the voice filters in causing uproar with its build-up.call in the ambulance and hope the doctor saving you when your overdose is mikael stavöstrand: he is just such a fine balancer and knows how to dose right: >puppy crack< becomes a deep entrancing affair with squelching noises and hypnotic synths that underline squeaking and clicking effects. slowly the whole affair culminates in an evil addiction you did not even notice you developed!

highly energetic disco from the rong camp with cheeky organ melody and big string backings. the flip is more on the balearic tip with a stripped down percussive groove, lazy guitar musings and dubby effects.

schief, ironisch, aber immer wundersch?n: akustik-folk vom schlagzeuger der babyshambles.

quadratur des kreises: der engl?nder spielt sich durch alle m?glichen stile.

makatons second release for his rodz-konez imprint stays true to the course of stripped-down industrial techno. welcome to the dark side!

bass kittens and single cell orchestra spice up their electro-madness with an extra potion of acid and have lots of fun while watching us flying under the roof!

persistencebit returns with the follow up ep of wang incs meditations for a better world series, which first part on persistencebit has been highly acclaimed and has been given incredible reviews, such as in de.bug magazine among many others. previously on sonig, bip-hop, and context, he now reappears with number two of the series and once you start listening you will know it all makes sense, given how close in spirit wang inc. s fresh fusion of experimental treatments and funk-house grooves is laid down. throughout the ep, wang speckles his fabulous metal machine music with rolling bass lines, high-stepping beats, and brilliant splashes of synthetic colour, whether it s the pounding stepper mind the gap or the pulsating future-funk of you are late a near-perfect fusion of experimental and dance musics, hyperactive dog splatters its house-inflected steam-roller with showers of whirr and click, and animates it with snares that hit so hard they could chop your head off. in the closer track this is the song to say goodbye he brings us electronic noise and beat madness to round things up and create a diverse sounding listening experience

part 2 of the simple, maybe release reveals the dark side of the brothers schwarz. yeah ought to be taken literally. batten down the hatches and turn up the volume, here comes a true masterpiece. naturally, tiefschwarz have saved the banger until last. there are not many tracks out there, which make you get up and dance after two bars already. the basis of yeah is a perfectly orchestrated drum beat. a steady bass drum, rolling toms, a crisp snare, all together powered by a low-pitch synth sample in the background. a sound, that is as offensive and sentimental as possible at the same time. add a well-filtered choir sample on top and you get a deepness and amplitude that can only be mastered by the finest soundsystems on the planet. like looking through a burning glass, the break shows what tiefschwarz are really all about with this track: gradually, all sound elements are shut down, overlayed by white noise that comes with goosebumps guarantee. this spring, youll better be on the dancefloor, when the drums set in again! deininger on the b-side is an almost gloomy track, driven by a dark deep-house bass line. once again, tiefschwarz play with a wide range of elements: an off-beat synth wind section, dry tinker bells and sliced vocals, well-orchestrated by a fine mix. all together this creates the perfect atmosphere for a monday morning sun rise. exhausted, dried-out, longing for your bed and a glass of water, yet at the same time not wanting to go home. great music got soul, the perfect balance, that keeps the heart pumping and the body dancing. deininger is about this certain temper, the groove, that makes you carry on.

special 180g gatefold vinyl pressing to celebrate the 20th anniversary of the 1989 classic.

first making waves after being played by sasha & digweed at wmc 2008, lalalalalala became something of an unsung classic with a simple yet unforgettable vocal. here, james harcourt produces a no nonsense dancefloor killer of a remix. starting deep, the track builds with an irresistible groove. the breakdown strips down to a pad, brings the guitars and synths from the original mix and builds to a massive crescendo and drop. on the flip, neoteric follows up his brilliant imprecation single on twisted frequency with a more intricate, musical take on the track. full of energy and emotion, this is progressive house at its finest.

in 2002, carl craig was at the centre of a collaboration between some of detroits most talented musicians old and new, including motown session players percy hughes and ron otis - the result of which was the spellbinding detroit experiment. one of the highlights of this session was their re-interpretation of donald byrd and larry mizells classic think twice, which was transformed into a sublime and unique jazz-house hybrid by this disparate ensemble of techno and r&b heavyweights. to continue the theme laid down by the detroit experiment, we have enlisted the skills of the multi-talented henrik schwarz - no stranger to fusing musical styles. his amazing remix effortlessly combines organic and electronic elements, to create a stirring piece of modern electronic dance music which has already taken the roof off parties across europe and the us, with pre-release plays from djs as diverse as ame, giles smith, justin martin, dixon and kev beadle.

fine arranged melodies from multiple sound sources, as stated in his biography, are the building blocks of which daniel mehlhart considers to be the essence of good music. putting what he preaches into practice has affirmed the 22-year-old swiss born, frankfurt am main resident, as one of the most exciting new talents in the underground tech-house movement. his most acclaimed release was the harp-tinged origami, released last summer on kindisch, which catapulted him into the record bags and charts of a slew of seasoned djs during the end of last summer. >scharade< is an example of young daniel sticking to what he does best, mixing and blending techno. atmospheres and sonic images while still animating an organic and natural vibe over the tracks. liberal amounts of percussion and a middle eastern or asian vocal dramatically pitched this tune beyond recognition watermark with a style and a vibe that he has helped to advance. the house roots of >distracted conscience< are present right from the onset. using a double pump kick to inject a pinch more of energy into the already flourishing habitat of off-kilter and spooky sound effects. so many in fact it is easy to see how he came up with the name, >distracted conscience<, as there are more effects floating around in this track than thoughts in the head of an 8-year-old who forgot his daily dose of ritalin. he turns to an ethnic vocal on >alura< again, but keeping the overall mood of this outing a bit deeper. he pulls out even more percussion instruments including extra shakers, toms and bongos all marching along harmoniously. this is a head down, hands-up, side-to-side bopper that just keeps quietly elevating as subtle elements are added and subtracted throughout the duration of the tune. a coherent composition and dj tool all in one. although this is his second release there are no signs of a sophomore slump anywhere in site, as daniel mehlharts talent lies in his unique, but subtle ability to gel different eleme

a firm favourite here at pdd, kolour have that late nite business down to an artform. rhythm plate, from downtown matlock are internationally know, but this ep also features inspired mixes from bellep district and the awesome yse. dj support already from: laurent garnier, milton jackson, chus, nick warren, matt masters, jay tripwire, fred everything, shur-i-kan, this is a standout ep!

blasting hardcore from the netherlands !

prologue and juho kahilainen (bpitch control, frozen north, initial cuts) release a wonderful deep depressive giant ep called prophet without a vision. juho is recognized as a great electronic artist in europe with the right talent to take you on an excessive dance floor journey without any compromises. de:bug wrote about juho, everybody should take an eye on his productions. prologue shares the same opinion! juho kahilainen has produced one of the greatest summer hits last year on bpitch control and is back on prologue music with a mind-boggling ep called prophet without a vision, now. he is delivering perfect techno tracks with space consuming tunes and unbelievable deepness, people cannot really sit down... you must dance. but dont lose too many words about this prologue release, just listen to it and be surprised. mastered by oliver lieb. support from cio dór, oliver lieb, alex flatner, donato dozzy and many more to come!

new 3 track re edit ep from community service. this time with tracks from around the globe. i gotta is a caribbean disco cut without the steel drums but with fela kuti style guitar. walken is a 70s disco rock cut from the land down under and gotse is an eastern bloc midtempo synth chugger.

played by: magda, troy pierce, laurent garnier, loco dice, monika kruse, someone else, anthony collins,slam, technasia, seth troxler, robert dietz, & many many more ! a must have for a fat sound system! these tracks feed you with energy and euphoria. this is a promise!

sniff is the first true blow anthem ever in techno! pique nique is a game changer, modulating from chirpy fairy wiggle-house down to a sub bass groove that achieves the requisite hands-in-the-air factor !

after several months of underground pressure the orbital classic kinetic by golden girls (paul & phil hartnoll along with mike hazell) is finally getting a full release. one of the most ecstatic rave stabs ever is at the heart of this record and has now been reworked for 09 dancefloors by floorplay music - the label run by hot brighton production duo prok & fitch. the story began a year ago with prok & fitchs golden shower remix. instead of going down the bootleg or cover route they paid their dues and licensed the original track for their new label floorplay and set about getting some hot names to remix it. top of the pile is atfc who takes the original and gives it a tough house makeover. this man has been responsible for a few classic records of his own over the years so this combination is unstoppable. with the original orbital mix included this is an all time classic tastefully revisited.

new project by wollion (blufin records), sandrino (sprout rec.) & adrian pietrasch. with rebirth records and alive (uk) fame! their influences the late 90 s combined with modern elements and a lot of a soul in their music. coming up with an amazing kaisersouzai remix!

a track is a track, is a track is a track. but not every track is just a track. trackletons stands for much more than just tracks. on his debut ep you wont get to hear the substandard generic ordinary music that can be found everywhere. he has it all. disco, house, minimal, techno, you name it, he brings it. welcoming our latest act >trackleton< with his first appearance in form of his >jump ep< adds a variety of deep styles to this 3-tracker like we have not heard it a long while. the a side is a detroit influenced dance-floor sweeper with melodies so deep and beats so sharp that will leave no escape from making heads turning and get your feet dancing. b1 plays it cool all around the bass-line, laying things down in a old-school sounding manner - minimal to the bone, but done so cleverly to ensure that the basics simply sit right and will get you moving. the b-2 track then surprises you with more than just a hint of disco that will be standing out from the norm and creates a nice diversity. one does not often hear music so warm, on point, deep and yet fully dance-floor oriented

second vinyl version of the cd album with more magical works of unit moebius. including the funking >beat that perculator< re-arranging >i beat that bitch with a bat<, >its time for the perculator< and >the pressure cooker< into a totally dirty twisted the hague jack track! the flip side contains the more deeper side from their first releases. for those who were there in those years 91/ 92/ 93, at the famous parties in the hague and rotterdam, this is a walk down memory lane, for those to young or living in other parts of the world... imagine these tracks in a dark, very dark sweaty basement with only strobe light and smoke machines, camouflage nets, and jacking acid and techno sounds for more then 10 ours. djs such as i-f, serge, schmerzlabor, peter ptau ptau and live acts such as unit moebius played the hottest and freshest music all night long until you lost your sense of time and place and ended in a total mind trip. the pure essence of house and techno! the golden years.

ian pooley makes his debut appearance on simple to kick start what is shaping up to be a bumper year for the label. german ian pooley hails from mainz but recently found a new home in berlin. ian is well known as a remixer and for his own prolific output bridging the gap between techno and house, creating superb tracks such as the massive >celtic cross< & >chord memory< on the force inc. music works, as well as recording more housier and disco orientated workouts for labels such as john acquavivas definitive recordings, effective records and nrk sound division. ian has also remixed for daft punk, the cardigans, the beloved, green velvet, modjo, nick holder and many more. ian has recorded two albums for v2 records, his debut >meridian< was a classic late 90s pooley album, full of tech-house delights and including the massive >whats your number< as remixed by jazzanova and bob sinclair. followed by huge albums >souveniers< and >since then<, and most recently >in other words< featuring robert owens, tim fuller and perry colo. most recently hes been busy djing across the globe, producing new music for the likes of us and producing for artists such as get physicals dj t. nightscape - a deep, heads down house groove that locks you in with its lovingly crafted percussion and beautifully bouncy bassline, whilst the wistful, melancholic pads are food for the soul. ians experience in production shines throughout the ep, making the tracks as much of a delight on the head phones as they are on a function one soundsystem. difference (jupiter/eight mixes) - intricate percussive rhythms combine with a rubbery bassline and rich poly stabs to set the tone. strings build and release the tension and a delicate piano riff brings the soul. the evolution of the patterns sees a heady crescendo for the floor. for the >eight mix< ian reworks the stabs and bass-line and pushes out a more straight ahead groove

tom dazing is an upcoming artist from brussels who has released on mb selektions, heimatmelodie, coincidence, veryverywrongindeed and toysforboys already and with his new ep >black magic< releases his debut on trapez. tom has a powerful production technique and a cool old school appeal which he fuses with modern sound design. his new release features >divulge< and >cable strap< two peak time techno trax with a heavy 303 bassline that will rock all big floors. >divulge< the a-side is destined to be a berghain hit. the track is a monster. its attitude is down to earth... keeps it simple but effective. >cable strap< on the flipside is a new modern version of music that we believe used to be the post chicago sound manifested by robert armani and friends. >cable strap< is a super cool heavy rocker with a siren sound that will turn clubs upside down, joined by delicate use of 303 basslines. >temper< the digital bonus track has more of an atmospheric deep feeling to it! tom has been voted in belgium in the top 10 chart of the best national producers in 2007 and 2008 and was voted into the to chart top 10 national live acts

all these tracks are made for the floor, in other words, made purely fordancing. rather dry compressed but driving beats combined with sweatygrooves work like a charm and the whole mixture goes fluidly anddeliciously down like the very best vintage barolo harvested at the peaktime and offering altogether more testosterone than those blue littlepills. everlasting love! another quality production brought to you bysenator recordings.

electro legend dynamix ii (just give the dj a break) produce 2 pieces of pure industrialized high-tech funk. we bow down and pledge our allegiance!

limited nice price action !
- deus ex machina is a snarling, tension-filled track. pacey beats, drawn out builds and rolling snares all combine to provide the perfect footing for the rolling bassline to do its damage. this is a track to set alight the harder, darker sets. que loucura de som (that crazy sound) has a rolling, heads-down vibe with plenty of techno punch. classic sounding warm stabs provide the main hook to carry things along to a trademark mojo twisted breakdown with distorted sirens spinning things out

played by mathias kaden (freude am tanzen) // it s always good to start the new year with something special and in this case it s the release of the >underground railroad< 12inch from soulphiction. while his last album >do you overstand?< on berlins sonar kollektiv as well as his infamous remix for ian simmonds >whos blues< on musik krause is still in mind he went straight ahead on the work for his upcoming album… so >underground railroad< prepares us for his new lp coming in autumn 2009 on philpot! three tracks to choose from,>underground railroad , a lo-end house track with a thick atmosphere rooted in jazz… on the flip the first track is called < things to get by , a reminiscence to the classics, timeless house music to the bone! to round that up the last track >regrets< is a stripped down percussion tool, an >instrumental version< of the original contained on the album. enjoy!

played by ricardo villalobos, luciano, reboot, sascha dive...

claque musique present their fifth release, which is a technoid gem from hugo (already responsible for the brilliant third 12 inch on the label, entitled born to bop) called strobo revenge. another zany electronic bullet that is destined to cause mayhem on dancefloors worldwide! on the a side, jumping beats, vocal mirages and compressed synths create the groove on the original mix of the title track. a fizzing bassline and echoing whistles enter later on and they give the track a slice of claque musique zaniness. a2, prismatic visual, is a powerful floor filler, which is slightly less crazy then its musical partner. hugo uses dependable percussion, watery synth action and inviting vocals to create this musical treat. on the flip side, carola pisaturo brings us a moody version of strobo revenge that squeezes something else out of those whistles. she employs heads down percussion, vocal shards and smooth synths on her version. portable/bodycode heightens the intensity with a jackin rerub that sends the track in another direction completely. marching beats, acidic synths and hollow bass drops work wonders on abrahams revision

first vinyl pressing of twin infinitives since the original vinyl issue in 1990. after moving to san francisco, royal trux released the highly experimental double album twin infinitives. this album remains an extreme work on the periphery of rock music, worthy of being compared to lou reeds metal machine music and suicides debut album. at only four subdivided tracks, none of which clock in under 15 minutes, the record has plenty of time to weave a mesmerizing web that is sometimes menacing, sometimes startling. for all of its high brow allusions, twin infinitives nearly reeks of vice, a dark, sordid feel pervades the record, and the listener can almost picture the band recording in a filthy apartment in the middle of the night in various states of intoxication and debauchery.

this is a call out to djs in the need for some real acid techno!!the master a.p. treats us to a lesson in how to make the most killer, stripped down, old skool flavoured and mentally av in it and down right dirty acid techno over four equally a side tracks. hive a new label from chris and aaron liberator the men behind the legendary stay up forever the label that pioneered the acid techno genre. strictly for the dj on vinyl!!

amazing stripped down mix by deux!!